Burnel has reason to be reticent. Forever dismissed by critics, and slagged by contemporaries, the low-down bass player holds some heavy disdain for the media. (Just ask French journalist Phillippe Manoeuvre, who back in 1979 found himself taped to Eiffel Tower girders 300 feet off the ground). Slights and confrontations aside, The Stranglers have shown remarkable resilience, and are the last leather-clad vestige of Britain's mid-'70s punk climax.
"We were sort of the pariahs. So we did develop sort of a siege mentality," says Burnel.
Formed in 1975, and branded punk more for a menacing image than anything else, that mentality solidified in '76. Tapped to represent England at the American Bicentennial Celebration alongside headliners The Ramones in North London, the band made plenty of noise, onstage and off.
"I actually had a fight with someone I was quite sociable with, who happened to be the bass player for the Clash, Paul Simonon," recalls Burnel. "On one side of the courtyard there were The Stranglers and a few mates. And on the other side, there was Dee Dee Ramone, Paul and I, nose to nose, Paul and Steve from the Pistols, Chrissie Hynde, and their media friends. So, after that,
The years that followed were dark: clashing egos, lineup changes (original member Hugh Cornwell left in 1990), drugs, and bouts of violence conspired to overshadow the band's creative output. But after nearly 30 years and 14 records, the rejuvenated Stranglers have come full circle with Norfolk Coast, a charged record that harkens back to the primal, threatening brawn of the crude early days.
"We didn't really plan it that way," says Burnel of the forceful production. "But we had the luxury of having played all the material live before recording it, which is something you only do when you're a young band. We just did everything until it was right this time around."
THE STRANGLERS TUESDAY, OCTOBER 19 AT 8 P.M., $22.50BARRYMORE'S
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