But the real monsters live well above ground, ensuring "order and obedience" in Mexican filmmaker Guillermo del Toro's Pan's Labyrinth, a terrifying fable about individual courage in the face of fascism and militarism in the aftermath of the Spanish Civil War.
The story begins in classic fairytale fashion with a mysterious prologue about a dead princess of an underground realm. The film then introduces us to the real-life Ofelia (Ivana Baquero), a pensive and imaginative 11-year-old travelling in a black sedan with her ill pregnant mother (Ariadna Gil) to a remote military outpost in the Spanish hills.
The year is 1944, Franco's victorious fascist forces are brutally killing peasants and routing the last of the resistance fighters under the command of Ofelia's new stepfather, Captain Vidal (Sergi López).
"I want you to call him Father," Ofelia's pretty mother begs of her daughter, but Ofelia merely offers her hand to the Captain, only to have it painfully squeezed in his leather glove. This is the start of Ofelia's disobedience to her beloved mother and her resistance to the fascist father figure, the real theme of del Toro's second movie about the Spanish Civil War after 2001's The Devil's Backbone.
The triumph of this one,
The film does a superb job of making a parallel between the giant bugs Ofelia discovers scuttling about in the subterranean kingdom and what's taking place aboveground: Similarly, her father's military post is a hive of activity as troops are dispatched to hunt down the rebels, and captives are barbarically and explicitly tortured, while the local doctor regularly tends Ofelia's bedridden mother and a dinner is being prepared for local fascist bigwigs.
Unbeknownst to the Captain, Mercedes is stealing supplies for the rebels, and the certain prospect of her discovery gives the film an almost pornographic undertow.
Best known on this side of the pond as the charming psychopath in With a Friend Like Harry, Catalan actor López plays Captain Vidal as both a narcissist and a sadist who takes as much pleasure in gazing at his face in the mirror as he does humiliating others. Obsessed with cleanliness, he is often shown shaving and polishing his boots. He tells his bourgeois dinner guests that he wants his son to be born in "a new, clean Spain," and "the vermin" who stand in its way to be exterminated. It's a statement you'll remember when del Toro upends the fairytale beginning at the sad, sweet and inspiring conclusion to this astonishing movie.
Pan's LabyrinthDirected by Guillermo del ToroCheck listings for show times
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