But what the baby boomers know, and what director/writer Emilio Estevez and his talented ensemble (William H. Macy, Nick Cannon, Joshua Jackson, Lindsay Lohan and many, many more) are trying to show with Bobby, is that Bobby Kennedy's presence and potential may have been greater than his more notorious brother's. Maybe it was a result of Bobby's youthful exuberance or his health (JFK was really rather sickly), or maybe Bobby was just a tad more charismatic than his bro. Maybe his attitudes and political direction were just slightly more radical, or just more humane, less polished and politiqued. Any and all of those reasons may account for the mass euphoria surrounding Bobby Kennedy's run at the presidential nomination in 1968. But even more likely, it was what Bobby symbolized that made him such an important figure to those who shared his period in history.
After the horrific murder of his brother and the subsequent snuffing of Martin Luther King, and with the country mired in a crippling economic scramble,
Estevez is keenly aware of this but doesn't beat us over the head with it. He lets it unfurl itself through the stories of his characters, all living their lives in the backdrop of this blossoming hope, and each in his and her own way enlivened by it.
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