Oni is recounting memories from her days living in a high-rise building in South Central Los Angeles in 1997. She was lured from her home in Ottawa to L.A. by the hope of a glamorous relationship. "I was expecting 90210, and I got 9-1-1," she jokes. "The dude I lived with threatened to kill me if I left. I escaped with my two babies, and one in my belly. I had one bag. I came back to Ottawa with nothing."
The pain of her experience prompted Oni to start writing again, something she had set aside for a few years when she first became a mom. "It set me free. It was cathartic and it gave me something to look forward to. Poetry saved my life." That poetry has finally been published in what is likely a first for Ottawa. As far as the XPress, Oni and the National Library and Archives were able to discover, the publication of Oni's first poetry collection, Ghettostocracy, makes the Haitian Sensation the first African-American woman to be published in Ottawa.
THE GODMOTHER OF CANADIAN SLAM
Oni became known around town as the Haitian Sensation for tying her poetry tightly to her ancestral roots. It's almost been 10 years since her L.A. days, but now, with her more recent notoriety
Dating back to 1978 in Chicago, slam took its inspiration from professional boxing rings. Instead of fists, poets flung poems at one another, round after round, cheered on, heckled and sometimes booed by the audience, much in the same way as debates, turntable or freestyle (rap) battles are conducted. Nothing is off-limits in slam. Poets take on racism, sexism, religion, government, love and relationships. Slam is in your face, brutally honest, unafraid and intense. The adrenalin rush is addictive. It's that combination that fuels Oni: "I am hopelessly devoted to poetry," she admits about her craft.
GHETTOSTOCRACY
Oni's devotion to poetry has been her guiding light over the past decade, one that's been filled with her fair share of trials. Poetry solidified Oni's roots in Ottawa, led her around the world to the European slam poetry circuit, as well as a tour of Australia and the USA. Oni's passion for the spoken word was also the impetus for her first CD, called The Bedside Booty Book. However, her most outstanding achievement to date has been the recent publishing of Ghettostocracy.
From the bold Warhol-esque cover art by local photographer John W. MacDonald to the collection of poems, this debut publication is bold and gritty. Oni's mentor, University of Toronto professor and poet George Elliot Clarke, calls Ghettostocracy "an unforgettable book by an inimitable, drop-dead gorgeous artiste."
Unforgettable - completely. Ghettostocracy is the essence of Oni. It's sexy, fierce and angrily witty. Whether taking on "politricks" (politics), "the ghettostocracy" (ghetto nobility) or the men that owe her child support, Oni pulls no punches and apologizes to no one.
Ghettostocracy will be launched on Friday, December 15, at the National Library and Archives (395 Wellington) at 7:30 p.m., $7.
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